Imago (1989)

for guitar
duration: about 8’

  Audio  

 

 

Tratti   (1989-91)

eleven pieces for guitar
duration: about 16’
publisher: Ed. Bèrben

 

Verba volant   (1990-91)

for flute
duration: about 9’

 

 

…pulvis sum…   (1994-95)

digressions for harp
duration: about 10’55”
Recorded on CD (Audio production – AP 971058; harp Mahalia Kelz)
Finalist at the International Composition Competition “Emmy Hurlimann” in Geneva 1995

 

Lamento   (1997)

for viola
duration: about 4’40” / 5’10”
Special mention at the International Composition Competition “Valentino Bucchi” in Rome 1997

  Audio  

 

 

Lamento   (1997)

for cello
duration: about 4’40” / 5’10”

 

 

Preludio e corale dematerializzati   (1998)

for organ
duration: about 8’30”
…after having observed a figurative work by Paolo Ferrari

 

 

Improvviso!  (1999)

for piano
duration: about 2’40” / 3’ 00”

  Audio  

 

 

...à trois  (2004)

for alto saxophone
duration: about 7'

 

 

Studi per violino  (2004)

six studies for violin
duration: about 20'

 

 

Studio VII    (2010)

for violin
duration: about 6'00"

 

 

Women's carpets II  (2011)

for guitar
duration: about 16’07”
Written for Marco Minà

 

 

Caprices des enfants  (2012)

eleven pieces for piano
duration: about 9'00”
Dedicated to my children Edoardo and Eleonora, and Prof.ssa Ornella Bosatra

 

 

Erosive raindrops  (2013)

for electric guitar
duration: about 8'00”
Written for Alessandra Novaga

 

 

...come back...  (2014)

for Bass or Tenor-Bass or Tenor or Alto Trombone
duration: about 6'00” - 8?00"
Written for Alessandro Castelli

 

 

Piraha  (2015)

for harp and electronics by Marco Marinoni
duration: about 12’ 00”

  Audio  

 

 

Piraha II  (2016)

for amplified harp

duration: about 12’ 00”

 

Reliefs   (1991-92)

seven aphorisms for string quartet
duration: about 6’10”

 

 

Ombra diva mi scuoti   (1992)

for violin and piano
duration: about 7’

 

 

Ek/stasis   (1993)

for two amplified guitars
duration: about 5’30”

 

 

 

Taibhsì   (1993)

for harp, viola and flute
duration: about 13’
publisher: Ed. Ricordi
1st Prize at the National Composition Competition “Goffredo Petrassi” in Parma 1994

  Audio  

 

 

Guardame, guardame   (1995)

for flute, lute e percussion
duration: about 9’
Finalist at the National Composition Competition “Castello di Belveglio” 1995

 

 

Se il prato fiorito è ancor  (1995)

for flute and harpsichord
duration: about 8’

 

 

Guardame, guardame   (1996)

version for flute, B-flat clarinet , cello and percussion
duration: about 9’

 

 

Se il prato fiorito è ancor   (1996)

version for flute and guitar
duration: about 8’

 

 

Se il prato fiorito è ancor   (1997)

version for flute, violin and piano
duration: about 8’
3rd Prize at the National Composition Competition “Castello di Belveglio” 1997

 

 

Le point et le vent   (1998)

for wind quintet
duration: about 10’
Finalist at the “Progetto Giovani Compositiori” by Orchestra Cantelli in Milan 1999

 

 

Ricordo   (1999)

for cello and piano
duration: about 3’00”

  Audio  

 

 

Lianu   (2001)

for flute, trombone (or horn), percussion (1 player)
duration: about 7’
Selected and awarded composition at the “Progetto Giovani Compositiori” in Milan 2001

 

 

Ricercari   (2001)

for violin, flute, B-flat clarinet, cello
duration: about 9’30”

 

 

Rappels   (2006)

for brass quintet (2 C trumpets, horn, tenor-bass trombone, F tuba)
duration: about 8’00”
Written for the "Milano Brass Ensemble"

  Audio  

 

 

...a (d)ue [0]   (2009)

for violin and harp
duration: about 7’00”

 

 

Women's carpets   (2010)

for cello and piano
duration: about 16’16”
Written for Martina Lopez and Clelia Cafiero

 

 

 

JMB   (2011/12)

for electronics and live string quartet score
duration: about 12’00”
Written for RepertorioZero
Commissioned work by Festival Milano Musica 2012

and dedicated to Andrea and Luciana Pestalozza

 

 

E   (2012)

for violin, flute, clarine and piano

duration: about 9’00”
Written for 15.19 Ensemble

 

 

Seufzer   (2013)

for flute and organ
duration: about 6’00”

 

 

IV a2   (2014)

for violin and piano
duration: about 7’30”

 

 

Saxsingspiel    (2014)

for sax quartet
duration: about 15'00”

 

 

Janus    (2014)

for cello and baritone sax
duration: about 10’00”

 

 

Metus animi  (1995)

for eleven flutes [1 piccolo – 5 C flutes (two double with piccolo) – 3 alto flutes – 2 bass flutes]
duration: about 9’

 

 

Guardame, guardame  (1996)

version for flute, B-flat clarinet, horn, viola, cello, double bass and percussion (2 player)
duration: about 9’

 

 

Dancing ways   (1997)

for 8 players [flute (piccolo), B-flat clarinet (E-flat cl.), alto saxophone , B-flat trumpet, violin, double bass, piano, drums and percussion (1 player)]
duration: about 12’

 

 

Effimere forme . . . luci dubbiose   (1999)

for flute, A clarinet, two guitars, violin and cello
duration: about 10’30”

 

 

KCK (Kleines Cellokonzert)   (1999-2000)

for solo cello, flute (double in alto flute), B-flat clarinet (double in bass clarinet), violin, viola, tubular bells and vibraphone (1 player)
duration: about 9’30”

 

 

KHK (Kleines Harfenkonzert)   (2002)

for solo harp, flute, B-flat clarinet, violin viola, cello and percussion (vibraphone, glockenspiel, wood-blocks and cymbal: 1 player)
duration: about 10'40"
Special mention at the International Composition Competition “Camillo Togni” in Brescia 2002

  Audio  

 

 

Syntaxis sintēxis    (2003)

for flute (double in piccolo), B-flat clarinet, bassoon, viola, cello, double-bass, piano and percussion (3 tom-toms, rolling-drum, vibraphone, 1 big  wood-blocks and cymbal: 1 player)
duration: about 4'30"

  Audio  

 

 

Preludios y Canciones    (2017)

tribute to F.G. Lorca

for solo female voice, flute, B-flat clarinet, violin, cello, harp and 2  percussion player (2 couple of Bongos, 2 Basque drum, Little drum, medium-size Tom, Sistrum, Cabasa, Sleigh bells, Crotale, Wind chimes, 2 Dobachi (possible tuned D3 and Eb3), 5 Wood-blocks, medium Chinese Suspended Cymbal, 2 Suspended Cymbal (big and medium), Castanets)
duration: about 55'00"

  Video  

 

Natale in/canto    (2017)

Suite for little orchestra

Scene music for "A Christmas Carol" by Charles Dickens

for flute (double in piccolo), oboe, B-flat clarinet, bassoon, F french-horn, 2 violin, viola, cello, double-bass and percussion (vibraphone, glockenspiel, basque drum, medium/big suspended cymbal, 1 big  wood-blocks, wind-chimes and sleigh bells: 1 player)
duration: about 40'00"

 

Anamnesis   (1992)

for string orchestra or thirteen amplified soloists
duration: about 7’

 

 

Divertimento   (1993)

for symphony orchestra
[2,2,2,2 - 4,3,3 - timp – 3 perc - 11,9,7,5,3]
duration: about 10’40”

 

 

Nagara   (1995)

for solo flute, string orchestra [7,6,5,4,2], percussion (1 player) and (optional) harpsichord
duration: about 13’

 

 

Der Frauentanz   (1996-97)

for string orchestra to themes by W.A.Mozart
[minimum 6,5,4,3,2 – recommend 9,8,6,5,4]
duration: about 10’
3rd Prize at the International Composition Competition “Città di Pavia” 1997

 

 

Dancing ways II   (1998)

for hurdy-gurdy and string orchestra [5,4,3,2,1] or for hurdy-gurdy and string quartet
duration: about 8’
3rd Prize at the International Composition Competition “Città di Pavia” 1998

 

 

Secum (Empfindung an Laura)   (1997-99)

for symphony orchestra
[3,3,3,3 – 4,3,3,1 – timp – 3 perc – harp – 12,10,8,6,4]
duration: about 12’
Finalist at the International Composition Competition “Toru Takemitsu” in Tokyo 2000
World premiere Tokyo Opera City, 2000 - Tokyo Metropolitan Symphony Orchestra, Dir. Ryusuke Numajiri

  Audio  

 

 

Frag (‘mente)   (2000)

for solo cello and symphony orchestra
[3,3,3,3 – 4,3,3,1 – timp – 3 perc – harp – 12,10,8,6,4]
duration: about 11’
5th Prize at the International Composition Competition “Valentino Bucchi” in Rome 2000

 

 

Da/Fort   (2000)

for symphony orchestra
[3,3,3,3 – 4,3,3,1 – timp – 3 perc – harp – piano – 14,12,10,8,6]
duration: about 13’
World premiere Tokyo Opera City, 2003 - Tokyo Philarmonic Orchestra, Dir. Tatsuya Shimono

  Audio  

 

 

Segel   (2007)

for symphony orchestra
[3,3,3,3 – 4,3,3, – 3 perc – harp – piano – 14,12,10,8,6]
duration: about 17’
Written for the Brandenburger Symphoniker
World premiere Brandenburger Theater, 2009 - Brandenburger Symphoniker, Dir. Andrea Pestalozza

  Audio  

 

 

Segel   (2011)

for symphony orchestra
[2,2,2,2 – 4,2,3, – 3 perc – harp – piano – 12,10,8,6,4]
duration: about 17’
New version written for the 55th International Festival of Contemporary Music Biennale in Venice
World premiere at Music Biennale 2011 - Mitteleuropa Orchestra, Dir. Andrea Pestalozza

  Audio  

 

 

Die Trennung   (2011)

for orchestra
[2,2,2,2 – 2,2 – 3 perc – 12,10,8,6,4]
duration: about 13’
World premiere Festival Play IT 2011 in Florence - ORT (Orchestra Regionale della Toscana)

 

 

Tropfen   (2015)

for orchestra
[2,1,2,1,0 – 2,1 – 3 perc – 6,5,4,3,2]
duration: about 22’

World premiere Brandenburger Theater, 2018 - Brandenburger Symphoniker, Dir. Errico Fresis

  Video  

 

Tropfen II   (2019)

for orchestra
[3,2,2,2,2 – 2,2 – 3 perc – harp – 12,10,8,6,4]
duration: about 15’

 

Ridondanze, ridondanze   (1992)

for reciting voice and amplified guitar to text by Andrea Zanzotto
duration: about 12’

 

 

Chiù   (1994)

for contralto and two sopranos (or for children’s voices) to text by Umberto Saba
duration: about 7’
1st Prize at the National Composition Competition “Castello di Belveglio” 1994

 

 

Lallen   (2002)

for soprano, mezzo-soprano, counter-tenor, tenor, barytone and bass
duration: about 8’

 

 

Stanza immaginata o intravista   (2003)

for soprano and piano to text by Andrea Zanzotto
duration: about 5’

 

 

Allacciamento   (2007)

for reciting voice, flute, cello, percussion
duration: about 5’

 

 

...non coprire il mio sangue   (2009)

for choir  (on a text by "Job" from the Old Testament)
duration: about 6’

 

 

Il respiro di Giona   (2010)

for choir  (on a text by "Jonah" from the Old Testament)
duration: about 5’

 

 

Preludios y Canciones    (2017)

tribute to F.G. Lorca

for female voice and guitar 
duration: about 55'00"

 

 

Effusion musicales   (1996)

3 vocal compositions by G.Rossini
for soprano, tenor, alto male voice and orchestra [1,1,1,1,1 – perc – 5,4,3,2,1]

 

  • La pastorella delle alpi (…e la mucca pazza) for soprano and orchestra

  • L’orgia (…di un avvinazzato libidinoso) for tenor and orchestra

  • Duetto buffo di due gatti (…e un percussionista assonnato) for soprano, contralto (also male) voice (or tenor in falsetto) and orchestra  

 

duration: about 12’30”

 

 

 

Il giuramento   (1997)

Notturno for chamber orchestra [1,1,1,1,1 – timp – 8,7,6,4,2] to a vocal composition by G.Donizetti
duration: about 4’
publisher: Ed. Ricordi

 

 

La bambola   (2013)

For four percussionist and a double bass (without voice)

from the homonymous song by Patty Pravo
duration: about 5’

  Audio  

 

 

In-abstracto complexu: (l’)attività della musica   (1998)

for 2 pianos and 8 hands
duration: about 12’
publisher: Ed. Rugginenti
1st Prize at the International Composition Competition “Città di Pavia” 1999

 

 

In-divenire ulteriore   (1999)

for violin (optional), percussion (1 player) and 2 pianos
duration: about 8’

1st Prize at the International Composition Competition "Àlice Bel Colle" (AT) 2005

 

 

A-più-menti   (2000)

for violin, horn, trombone, two pianos and reciting voice (text by Paolo Ferrari)
duration: about 10’

 

© Vittorio Zago 2015

This site was designed with the
.com
website builder. Create your website today.
Start Now